Saturday, July 17, 2010

Toward a People's Cinema

People's Cinema has never worked out well. Soviet Experimental Cinema was never really popular. Neither was Italian Neo-Realism.

We should note, though, that nearly all of the Spaghetti Westerns were directed by Communists. You don't need to look very hard for Marxist symbolism, like the gold buried in a massive war cemetery in The Good, The Bad and The Ugly or Clint Eastwood counting dead bodies by their monetary value in For A Few Dollars More. There was one--was in Django?--where the rich American murders Mexican peasants and feeds their bodies to his pet eagle.

And Soviet cinema did quite well producing a lot of well-made big budget movies. George Lucas ripped off Soviet special effects in Star Wars. Spielberg freely ripped off Soviet war movies in Saving Private Ryan. They understood the importance of plagiarizing only obscure sources. Your massive fraud can go undetected for years, and if anyone does discover it, you call it a homage.

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