Someone else's "Melania" review

The guy on the right in the picture above is director Brett Ratner who fled to Israel after being accused of several rapes during the #MeToo era. He hadn't worked in years before directing the "documentary" Melania.

Jeffrey St Clair on Counterpunch.com:

Here’s my review of “Melania”, written, like Norman Mailer’s infamous review of Waiting for Godot, without having seen it: Melania Trump is one of the world’s most boring people. There’s nothing the least interesting about her. She’s not even evil enough to waste time condemning. Her fleshy photo shoots lack the faintest hint of eroticism. Even the great Helmut Newton would have failed to coax any intimation of suggestiveness or carnality out of her stiff posture and bland, expressionless visage. Her entire adult life, she seems to have willingly played the role of a walking mannequin. Which made her the perfect match for Trump, of course, who views wives, like he views everything else, as acquisitions, objects for display. But is that the real her? Only her mani-pedicurist knows for sure. The lone memorable thing she’s ever done is wear that Zara jacket with the faux graffiti reading, “I Really Don’t Care, Do You?” when she was forced to a migrant children’s detention “camp” in Texas. Now, that was a little punk, a little spark of rebellion. But then she almost immediately reverted to her drone-like essence, which she has scrupulously maintained ever since.