I got rid of cable and I'm actually enjoying television again. With Comcast, we had about 2,000 channels mostly of pure crap. You could wade through thousands of channels and find nothing. I kept trying to watch Murder, She Wrote but never made it to the end of a single episode.
I'm thinking I should get rid of Netflix. Their streaming video is mostly crap and I could probably just buy the few DVD's I want cheaper than paying them.
One thing I didn't know until very recently is that they don't show cartoons on Saturday morning anymore. Someone told me it had been over 20 years. It's been that long since I've turned on a TV on Saturday morning. Lately on weekends I've been watching old episodes of Johnny Sokko and his Flying Robot. Johnny Sokko is a little Japanese kid with a gun who commands a giant flying robot through his watch.
Tuesday, November 20, 2018
Monday, November 19, 2018
Film Israel doesn't want you to see
Here they are. You can watch a four part series Al Jazeera produced but, under pressure from the Israelis, never broadcast in English.
https://electronicintifada.net/content/watch-film-israel-lobby-didnt-want-you-see/25876
https://electronicintifada.net/content/watch-final-episodes-al-jazeera-film-us-israel-lobby/25896
From the article:
As revealed in a clip published by The Electronic Intifada earlier this week, the film shows Julia Reifkind – then an Israeli embassy employee – describing her typical work day as “mainly gathering intel, reporting back to Israel … to report back to the Ministry of Foreign Affairs, the Ministry of Strategic Affairs.”
She discusses the Israeli government “giving our support” to front groups “in that behind-the-scenes way.”
Reifkind also admits to using fake Facebook profiles to infiltrate the circles of Palestine solidarity activists on campus.
The film also reveals that US-based groups coordinate their efforts directly with the Israeli government, particularly its Ministry of Strategic Affairs.
Run by a former military intelligence officer, the ministry is in charge of Israel’s global campaign of covert sabotage targeting the BDS movement.
The film shows footage of the very same ex-military intelligence officer, Sima Vaknin-Gil, claiming to have mapped Palestinian rights activism “globally. Not just the United States, not just campuses, but campuses and intersectionality and labor unions and churches.”
She promises to use this data for “offense activity” against Palestine activists.
Jacob Baime, executive director of the Israel on Campus Coalition, claims in the undercover footage that his organization uses “corporate level, enterprise-grade social media intelligence software” to gather lists of Palestine-related student events on campus, “generally within about 30 seconds or less” of them being posted online.
Baime also admits on hidden camera that his group “coordinates” with the Israeli Ministry of Strategic Affairs.
Baime states that his researchers “issue early warning alerts to our partners” – including
“With the anti-Israel people, what’s most effective, what we’ve found at least in the last year, is you do the opposition research, put up some anonymous website, and then put up targeted Facebook ads,” Baime explains in part three of the film.
“Canary Mission is a good example,” he states. “It’s psychological warfare.”
The film names, for the first time, convicted tax evader Adam Milstein as the multimillionaire funder and mastermind of Canary Mission – an anonymous smear site targeting student activists.
The Electronic Intifada revealed this in a clip in August.
Eric Gallagher, then fundraising director for The Israel Project, is seen in the undercover footage admitting that “Adam Milstein, he’s the guy who funds” Canary Mission.
Milstein also funds The Israel Project, Gallagher states.
Gallagher says that when he was working for AIPAC, Washington’s most powerful Israel lobby group, “I was literally emailing back and forth with [Adam Milstein] while he was in jail.”
Despite not replying to Al Jazeera’s request for comment, Milstein denied that he and his family foundation “are funders of Canary Mission” on the same day The Electronic Intifada published the clip.
Since then, Josh Nathan-Kazis of The Forward has identified several other groups in the US who fund Canary Mission.
Sunday, November 18, 2018
Cheap props
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| Teen madman in lavender cardigan. |
Grenades played a role in two episodes of Dragnet, one where an angry teen outcast crashes a party and threatens the popular kids with one.
"They never invite me to their stupid parties! Turn on the music! Dance! Dance!"
In another, a Nazi throws a grenade at a night watchman while stealing a station wagon-load of dynamite he wants to blow up a school full of children because it's being desegregated.
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| Trying to put the pin back. "Give me a minute, Joe." "We may not have a minute." |
Night of the Hunter (1955)
I've never gotten through this movie before. I've started watching it several times, but it's too disturbing and depressing. But my mother saw the link to it on Filmstruck and wanted to see it, so I sat through the whole thing. I kept starting to cry here and there, but I'm more prone to that than other people.
Two children watch their father arrested for bank robbery and murder. They're mocked by other children after he's executed. Then their father's psychopathic cell-mate, a phony preacher played by Robert Mitchum, comes around looking for the stolen money. The children know where it is, but they swore to their father that they would never tell.
It was the only movie directed by Charles Laughton. It was a commercial failure at the time but is now recognized as a great film.
There was an element of it that made me think of the French film L'Enfance Nue, about a disturbed boy in foster care. It starts with him in a bad foster home with uncaring parents who finally have to get rid of him. He's sent stay with an older couple who seem much warmer, a much better home. But, objectively, the first foster home was better. The father kept giving the kid money, for one thing. The older couple were actually abusive. The old woman smiles as she talks about how she cured another boy of bedwetting by pinning his wet underwear to the back of his coat and sending him to school that way. After the kid intentionally spills soup onto his new foster brother, they start hitting him with a wet towel. "Hit him in the face!" the woman yells.
Robert Mitchum is menacing and the kids sense how dangerous he is, but he acts like a much nicer guy than Lillian Gish who, in her first scene is swishing a switch through the air to threaten the kids. Later, she spanks the naked boy behind some bushes and you can see how hard she's hitting him. But she's the good one, the only adult who sees through Robert Mitchum.
Saturday, November 17, 2018
Cowboy violence
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| From the Czechoslovakian western spoof Lemonade Joe. |
I guess I was wrong.
I was always complaining about westerns, that the violence that should have been their redeeming feature was very dull in part because everyone the had the same guns---a Colt revolver and a Winchester rifle.
I just realized that Robert Culp had a different gun---a Smith & Wesson Schofield revolver, according to the internet---on the show Trackdown, and it made no difference whatsoever.
I just want a cowboy with a Luger and a submachine gun.
Friday, November 16, 2018
Malta's new priest
I don't know what to make of this. Malta's new parish priest rode in a Porsche pulled by children in a parade welcoming him there. I guess he didn't actually arrange the thing and it may not be as objectionable as some people think.
The kids should have dressed casually so it would look more like they were having fun. Dress shoes and white shirts seem impractical for the task and it could be a disaster if they went down hill. But there was a guy in the driver's seat who could hit the brakes.
The kids should have dressed casually so it would look more like they were having fun. Dress shoes and white shirts seem impractical for the task and it could be a disaster if they went down hill. But there was a guy in the driver's seat who could hit the brakes.
Ernst Lubitsch, The Doll (Germany, 1919)
A Baron wants his nephew to marry so the family won't die out. The nephew takes refuge in a monastery. The monks are going broke and suggest that he marry a life-like mechanical doll so they can collect the 300,000 franc dowery the Baron is offering.
15-year-old Gerhard Ritterband as the apprentice was the best one in it.
The doll is modeled on the inventor's daughter. The apprentice damages the doll. While he repairs it, the inventor's actual daughter takes its place and marries the Baron's nephew.
It's a little like the episode of South Park where Cartman disguises himself as Butters' robot friend. Because dolls don't eat. he doesn't feed her and she wolfs down food when she can. When the nephew returns to the monastery with his bride, they decide to store her in the junk room. He uses her as a clothes rack at one point.
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