Richard Lewis on cinema

 Quote from the late Richard Lewis found on Counterpunch.com:

I’m obsessive-compulsive. For example, I can watch John Cassavetes’s films over and over again. When I used to date women much younger than me, I would put them through training periods—”This is Ingmar Bergman week,” “This is Stanley Kubrick week.” It was very controlling, because they had to enjoy what I enjoyed. I see now how foolish and crazy and narcissistic it was. I like dark films. There’s a French film called The Mother and the Whore [1973]. It came out about a year after Last Tango in Paris [1972], which blew my mind and frightened me because it’s all about fear of intimacy. When I watch Marlon Brando in that movie now and I realize that I’m so much older now than he was when he was in it . . . Even though I got married, I still have . . . you know, those shadows followed me, those intimacy problems. The Mother and the Whore, though, was directed by Jean Eustache. He was this guy who came after the French New Wave and who wound up committing suicide. Jean-Pierre Léaud, who was one of my favorite actors, is in the movie. So I come home one night and I’m watching this film and I’m saying, “God, it looks like a [Bernardo] Bertolucci movie. It’s so dark. But I’ve never seen Jean-Pierre in a movie like this.” And it went on and on. It’s a masterpiece. It’s the greatest film I’ve ever seen on the Madonna-whore complex. So I do obsess over these films—I watch them over and over because, I guess, I sort of feel less alone and less crazy when I see some of these works of darkness.