Chantal Akerman was a Belgian Zionist. She wasn't a refugee. She had her own country. But she filmed this thing mostly in an apartment in Tel Aviv. This is supposed to be some sort of meditation on Israel.
I thought it would be a good Pandemic movie. So far, it's a "slow cinema" version of Rear Window. I'm at the forty minute mark and all we've done is spy on her horrible Zionist neighbors as they walk around not caring about their crimes against humanity.
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